The Muffsy is extremely satisfying and a great value
For Muffsy Phono Preamp - Kit
I have used commercial and DIY, integrated and separate phono preamps including Bottlehead Seduction, Boozehound phono pre, Music Hall mmf & Marantz 2230. So, not a huge experience level, but a good variety in the price range of the Muffsy and higher. I built the Muffsy in totally stock form. The Muffsy destroys them all, except for maybe the Seduction. The Seduction had some really magical moments, but it costs about 7X as much and it always seemed to lack bass, so overall, I would choose the Muffsy.
My system consists of a 5 watt KT88SE power amp, a Forewatt tube preamp and 3pi speakers. My TT are Pioneer PL-41 with a Denon DL-110 cart and a Garrard LAB 80 with a Shure M91E. The 3pi speakers are very revealing and sensitive, so I can really tell the difference between poor and good quality recordings. I just mention that to give some perspective to this review.
This preamp exceeded my expectations by far! I am using (2) 9V batteries. The background is black as night. It is so quiet, I didn't realize it was on. Even before I put it in an enclosure and just had it rigged up as a bench unit for testing.
It sounded great from the first listen. Just stunning. My test albums were Steely Dan Gold, George Benson Breezin' & The Carpenters (don't laugh, they are recorded extremely well).
I think for the first time, I can truly hear things that I have not heard on the recordings before. I can hear deeper into the music and can hear the fade out of songs for longer. Meaning, the most tiny of signals and detail is detectable. I can pick out individual vocal harmonies and instruments. I have to use a sub with my 3pi speakers, but the bass is just right. The sound stage is excellent. The locations of instruments and voices are very easily pinpointed. Sounds seem to come from mid air in the middle of the room, which is what I would consider "holographic" sound. The texture of the sound is liquid. Detailed, but very smooth. It sounds solid state, but in a good way. The bass line on "Hey Nineteen" is nice and rubbery.
I tried both op amps and I would say the OPA is worth the extra (if nothing else than the peace of mind and knowing that the OPA is newer and designed specifically for audio). However, I couldn't hear a huge difference.
Overall, I am very pleased and would highly recommend this preamp.
Oh, one word of caution, I would strongly advise you to face the inlets of the terminal blocks OUT. Facing them in makes it a major pain to get wires into the block.
I'm going to go and get on with listening to my whole vinyl collection. I'm so excited that finally, vinyl sounds better than streaming!